All About Ben Whishaw :イギリスの俳優ベン・ウィショーのインタビュー記事の訳、舞台や映画のレビュー、写真等、ベンに関する情報やおしゃべり・・・
by uraracat
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ついに007の打ち合わせ..
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Sonnets V De..
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この時の動画がアップされ..
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超絶愛くるしさ!! ..
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このドラマのヒュー・グラ..
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記事ランキング
最新の記事
Secret Art Bas..
at 2018-08-08 12:34
Secret Art Bas..
at 2018-08-08 12:34
ベンさん、Bridge Th..
at 2018-07-21 08:13
サドラーズ・ウェルズにて L..
at 2018-07-15 13:51
Palo Santo (Sh..
at 2018-07-06 17:18
VULTURE  3 Jul..
at 2018-07-05 19:49
デイヴィッド・コパ―フィール..
at 2018-07-04 20:39
A Very English..
at 2018-07-03 19:32
2018年5月16日 You..
at 2018-07-03 19:25
Hugh Grant: En..
at 2018-06-28 18:16
ベンさん、米国アカデミーの会..
at 2018-06-26 08:17
A Very English..
at 2018-06-17 07:26
"David Copperf..
at 2018-06-12 17:14
『パディントン2』UK版DV..
at 2018-06-11 12:14
Short Film "Pa..
at 2018-06-08 06:57
カテゴリ
全体
ベスト10インタビュー 翻訳
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映画『遺伝子組み換えルーレットー私たちの生命のギャンブル』
公式サイト
GMO(Genetically Modified Organism)
正確に訳せば遺伝子操作された生命体

http://sayonara-nukes.org/


Secret Art Basingstoke Exhibition 23 July - 4 August ☆ ベンさん、自分の足の写真含む3枚で fundraising に貢献

Taking place between 23rd July and 4th August 2018, Secret Art Basingstoke is an exhibition of hundreds of postcard-sized original works of art donated by artists, celebrities, dignitaries, graduates and illustrators. With no brief in medium or subject, the collection promises to be an eclectic mix of small but perfectly formed paintings, drawings and photographs.

The two week exhibition will be split across four spaces in Basingstoke town centre; THAT Gallery, The Creation Space, The Discovery Centre and The Willis Museum & Sainsbury Gallery. The entire collection will then reunite at The Creation Space on Saturday 4th August, where every single postcard will be on sale for the affordable price of £20 each.

And the secret? The identity of the artist - you'll only know who created your miniature masterpiece once you've bought it.


https://www.secretartbasingstoke.com/postcardgallery



もう終わったので公表になったようですが、最初は誰の作品か判らないで買って、買ってから判るということになっていたようです。

ベンさんの作品3枚 ↓


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Twitter での情報

ポストカードは、一枚20ポンドで買えるようです。





[PR]
# by uraracat | 2018-08-08 12:34 | Public Service | Trackback | Comments(0)

Secret Art Basingstoke Exhibition 23 July - 4 August ☆ ベンさん、自分の足の写真含む3枚で fundraising に貢献

Taking place between 23rd July and 4th August 2018, Secret Art Basingstoke is an exhibition of hundreds of postcard-sized original works of art donated by artists, celebrities, dignitaries, graduates and illustrators. With no brief in medium or subject, the collection promises to be an eclectic mix of small but perfectly formed paintings, drawings and photographs.
The two week exhibition will be split across four spaces in Basingstoke town centre; THAT Gallery, The Creation Space, The Discovery Centre and The Willis Museum & Sainsbury Gallery. The entire collection will then reunite at The Creation Space on Saturday 4th August, where every single postcard will be on sale for the affordable price of £20 each.
And the secret? The identity of the artist - you'll only know who created your miniature masterpiece once you've bought it.


https://www.secretartbasingstoke.com/postcardgallery



もう終わったので公表になったようですが、最初は誰の作品か判らないで買って、買ってから判るということになっていたようです。

ベンさんの作品3枚 ↓


d0160581_12250412.jpg
d0160581_12252920.jpg
d0160581_12243458.jpg


Twitter での情報

ポストカードは、一枚20ポンドで買えるようです。





[PR]
# by uraracat | 2018-08-08 12:34 | Public Service | Trackback | Comments(0)

ベンさん、Bridge Theatre "Allelujah!" のオープニングナイトに ☆




Facebook

[PR]
# by uraracat | 2018-07-21 08:13 | 舞台 | Trackback | Comments(2)

サドラーズ・ウェルズにて L-E-V — Love Chapter 2 をご鑑賞か ☆ 2018年7月14日



Following her guest artistic direction of NYDC, Sadler’s Wells’ newest Associate Artist Sharon Eyal brings L-E-V, the Israeli company that she heads up alongside Gai Behar, in its first reappearance since its Sadler’s Wells Debut in 2016.


OCD Love
, with its focus on the heart through the lens of obsessive-compulsive disorder, elicited critical and audience praise alike in 2016. Love Chapter 2 builds on those themes with an even darker take on loneliness, despair and the search for connection, in Eyal and Behar’s trademark club-like atmosphere, enhanced with a score by music collaborator Ori Lichtik.

sadlerswells.com

via (X)






[PR]
# by uraracat | 2018-07-15 13:51 | 音楽・芸術 | Trackback | Comments(0)

Palo Santo (Short Film) ☆ Years & Years


ベン部分 1:44あたり





[PR]
# by uraracat | 2018-07-06 17:18 | ショート・フィルム | Trackback | Comments(0)

VULTURE  3 July 2018 の記事 ☆

Ben Whishaw on A Very English Scandal, Singing in Mary Poppins, and Why Q Should Be the New 007
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Photo: Stuart C. Wilson/Getty Images


[PR]
# by uraracat | 2018-07-05 19:49 | Trackback | Comments(0)

デイヴィッド・コパ―フィールド ☆ サフォーク州で撮影

Scenes for a star studded film based on Charles Dickens' classic David Copperfield are to be shot in Bury St Edmunds this week.


'The Personal History of David Copperfield' is due to film in and around Angel Hill, Athenaeum Lane and Chequers Square tomorrow (July 3) as well as inside the Theatre Royal on Wednesday and Thursday.


The new adaptation of Dickens' semi-autobiographical novel is directed by Armando Iannucci and stars Dev Patel as Copperfield as well as Tilda Swinton, Hugh Laurie, Peter Capaldi and Ben Whishaw.


The film is set in the mid-1800s and props have been seen arriving on Angel Hill today including vintage carts and carriages.
There will be 180 cast and crew.












buryfreepress.co.uk 02 July 2018  via (X)


[PR]
# by uraracat | 2018-07-04 20:39 | デヴィッド・コパ―フィールド | Trackback | Comments(0)

A Very English Scandal より ☆

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oldfilmsflicker.com

[PR]
# by uraracat | 2018-07-03 19:32 | テレビドラマ | Trackback | Comments(1)

2018年5月16日 Young Vic で ”The Inheritance” をご観劇 ☆

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(X)














We sat down with Hugo Bolton, Andrew Burnap and Syrus Lowe who all star in our upcoming production, The Inheritance, to talk about what the play means to them and what it's like working with Stephen Daldry and Vanessa Redgrave.

A generation after the height of the AIDS crisis, what is it like to be a young gay man in New York?

Stephen Daldry directs this hilarious and profound heart-breaker – a major world premiere in two parts by New York playwright Matthew Lopez.

The Inheritance runs at the Young Vic from 2 Mar - 19 May.



*****


スティーブン・ダルドリ―監督には、一度ベンと仕事してほしいと思っています。。。




[PR]
# by uraracat | 2018-07-03 19:25 | 舞台 | Trackback | Comments(1)

Hugh Grant: England Had Its Own O.J. Simpson Sized Trial



[PR]
# by uraracat | 2018-06-28 18:16 | ベン以外の人の記事 | Trackback | Comments(0)

ベンさん、米国アカデミーの会員にご招待・・・・・☆

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Academy Invites Record 928 New Members

The Academy of Motion Picture Arts and Sciences
has issued 928 invitations to new members, the Oscar-granting body announced Monday.

Forty-nine percent of the class of 2018 are female, and, should all accept membership, that will bring overall percentage of women in the Academy to 31 percent. Thirty-eight percent of the new invitees are people of color, which, should they all accept, would bring their overall percentage of the Academy to 16 percent.

The actors branch alone invited in 168 new members, the most of any branch. The eclectic list includes lots of relative newcomers, such as Taron Egerton of Kingsman: The Secret Service, Tiffany Haddish of Girls Trip, Trevante Rhodes of Moonlight and Daisy Ridley of Star Wars: The Force Awakens. But it also includes such veteran performers as Jennifer Grey, who made her mark in 1987's Dirty Dancing; Ann Dowd, the Emmy winner from The Handmaid's Tale, who currently is appearing in Hereditary; and Wendell Pierce (Selma, The Wire).

hollywoodreporter.com

Actors

Gemma Arterton – “Their Finest,” “Quantum of Solace”
Eileen Atkins – “Gosford Park,” “Cold Mountain”
Doona Bae – “Cloud Atlas,” “The Host”
Timothée Chalamet – “Call Me by Your Name,” “Lady Bird”
Olivia Colman – “The Lobster,” “Tyrannosaur”
Taron Egerton – “Eddie the Eagle,” “Kingsman: The Secret Service”
Eva Green – “Casino Royale,” “Kingdom of Heaven”
Toby Jones – “Tinker Tailor Soldier Spy,” “Infamous”
Takeshi Kaneshiro – “Red Cliff,” “House of Flying Daggers”
Anil Kapoor – “Slumdog Millionaire,” “Taal”
Diane Kruger – “In the Fade,” “Inglourious Basterds”

Andy Lau – “House of Flying Daggers,” “Infernal Affairs
Issei Ogata – “Silence,” “Yi Yi”
Tahar Rahim – “The Past,” “A Prophet”
Kyra Sedgwick – “The Edge of Seventeen,” “The Woodsman”
Léa Seydoux – “Spectre,” “Blue Is the Warmest Color”
Sarah Silverman – “Battle of the Sexes,” “Wreck-It Ralph”
Mark Strong – “The Imitation Game,” “Zero Dark Thirty”
Cary-Hiroyuki Tagawa – “Kubo and the Two Strings,” “The Last Emperor”
Liv Tyler – “The Incredible Hulk,” “The Lord of the Rings: The Return of the King”
Ben Whishaw – “Bright Star,” “I’m Not There”
Evan Rachel Wood – “The Wrestler,” “Thirteen”



*****

(俳優部門、私が数えたら全部で172人のような気がしましたが)
その中から私が知っている俳優のみ列挙。

イッセイ尾形さんが入っているのもうれしい。

ベンさんは承諾するのでしょうか。



[PR]
# by uraracat | 2018-06-26 08:17 | Public Service | Trackback | Comments(0)

A Very English Scandal 3話まで観ました☆

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Photos: Ludovic Robert
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3話はとてもよかったです。1~2話はそこまでの布石。

Wikipedia の《ソープ事件》を読んでいたのでよくわかりました。

(日本語のこの項、もう、このドラマのことも載っていました)


とにかく、キャスティングが抜群でしたね。みんな合っているし、どなたも上手い!
ノーマン暗殺に関わる小悪者たちの滑稽さ!!女性群のたくましさ!!
ピーター・ベッセル役の人、パブの女将さん最高!


2話を見終わって、とにかくテーマ曲がうるさいくらい畳みかけて、ドラマにリズムを与えていましたが、途中から、あのテーマがモーツァルトの25番に聞こえて、『アマデウス』とごっちゃになって、困りました(笑)絶対下敷きにしていると思う!

*****


Telegraph Magazine をちゃんと訳したくなりました。(友人に頼んで紙のマガジン取り寄せました)

公判で、Norman がはっきりと公言したこと、

「自分みたいな存在が、体制側の圧力で、殺されたり、闇に葬られたりしないで、公に知られることを求める」というのと、

ベンが記事の中で、階級間の確執もあると。

演劇の世界にも明らかに上級クラスとそれ以下のクラスとの違いを思い知らされる場面に直面し、それは自分も感じている。

このドラマは、ゲイスキャンダルということそのものと、階級差という問題も描いていると。



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髪型や服装も70年代っぽいのが、ダサくて、ノーマン・スコットが馬丁だということもあり、ベンの美しさは横に置いといた演出・・・・?

(それにしても、ベン、何着洋服着たのだろう!というくらい着てましたね)














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ノーマンが法廷を出てすぐの言葉、

I was rude, I was vile, I was queer, and I was myself という言葉に集約されるような、

ノーマン・スコットという人物が正直・天然だが、したたかに賢く、精神安定剤も飲んでいたような・・・たいへん不可思議な人物なので、ベンもそれを考えながら演じ出していた感が強かったですね。

この細かい微妙な視線の運びなど・・・ベン技、披露!
gif でとくとご覧あれ!

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Tragic comedy ・・・・
泣き笑い・・・・・


3話のベンは魂が透けて見える場面、ちょっときれいだった。






階級差は、ジェレミー・ソープが、公判後であってもごちそうを運ばせるのと、ノーマンがバスに乗る前にお菓子か何かを買って帰るのの対比がはっきりと示していましたね。
d0160581_20594888.gif
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(蜜月の頃、深夜二人で一緒に乗ったバスの2階の席で・・・・それを思い出す最後のシーン)

ベンもインタビューで言っているように、二人の間には確かに《ある愛》があったのですね。








*****



ヒュー・グラントが本当によかった。(これが彼の代表作になるというレビューも読みました)
コメディができる人は本当に上手いことがわかるほど、繊細なきめ細かいところの演技が本当に微妙に上手い!
(パディントン2でも感じました)



d0160581_06532910.jpg


未だに社会保険証を持たない本物のノーマン・スコットさん、
Get Norman Scott a national insurance card!
という運動が始まらないのでしょうか?このドラマ影響で・・・・?!





*****

Be~n、

このドラマであなたが伝えたかった、

★ノーマンとジェレミー・ソープの二人にしかわからないある種の愛

★Gay というマイノリティ、社会的弱者の人間としての尊厳と、英国に根強く残る階級差の問題の提示

★ノーマン・スコットに起きたこと、現在置かれている状態をちゃんと(ベンの言葉で言うところの properly に)公に知らしめること


ちゃんと伝わりましたよー♡♡♡


と、お伝えしておこう。



uraracat 拝






























* * * お・ま・け * * *

d0160581_16033755.png
サリー州オクステッドにあるソープの母親の家の、初めて泊まった部屋に置いてあった本。
『ジョヴァンニの部屋』ジェームズ・ボールドウィン作


d0160581_16070910.jpg
パリに遊学中のアメリカ青年のデイヴィッドはふとしたことから同性愛者の世界に踏み込み、ジョヴァンニと知りあう。2人は安アパート《ジョヴァンニの部屋20》で同棲生活を営む。やがてヘラとの結婚によってこの異常な生活は一応終わるが、デイヴィッドの歪められた性への強い執着に妻は去って行く。(アマゾン商品説明より)



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[PR]
# by uraracat | 2018-06-17 07:26 | テレビドラマ | Trackback | Comments(1)

"David Copperfield" kicks off today on location in UK ☆ 11 June 2018

It stars Dev Patel in what the production are styling as a “fresh and distinctive take on Charles Dickens’ literary classic”.

Set in the 1840s, the film will chronicle the life of its title character as he navigates a chaotic world to find his elusive place within it.

Also in the cast are Tilda Swinton, Hugh Laurie, Peter Capaldi, Ben Whishaw, Aneurin Barnard, Morfydd Clark, Anthony Welsh and Rosalind Eleazar.

Crew include casting director Sarah Crowe, production designer Cristina Casali, costume designer Suzie Harman, cinematographer Zac Nicholson and composer Chris Willis.



screendaily.com





ベンの役 悪役のユライア・ヒープらしい・・・!




* * * * * * *

"The Personal History of David Copperfield"

チャールズ・ディケンズ



Armando Iannucci’s new retelling of Charles Dickens’ “The Personal History of David Copperfield” is rounding out its cast.

Tilda Swinton, Hugh Laurie, ”Dunkirk” breakout Aneurin Barnard, Ben Whishaw, Morfydd Clark, Anthony Welsh, and Rosalind Eleazar have all joined Dev Patel, who will play the title character. FilmNation could not be reached for comment.


d0160581_07495513.jpg


Variety.com




*ユライア・ヒープ*
ウィックフィールド事務所の書記。
事務所とアグニスの乗っ取りをたくらむ大悪人


↑ ベン、いつか『オリヴァー』のフェイギン役やりたいって言ってたから・・・










*いろいろなユライア・ヒープ像*









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by Fred Barnard
























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by Frank Reynolds





























ヒュー・ダンシ―が2000年にコパ―フィールドをやっていたのですね。。。










My Favourite Charles Dickens character: Uriah Heep from David Copperfield (1849)
                   Mark Monahan, Dance Critic, 2012

◆ディケンズ作品登場人物10選◆ Telegraph 記者より

Pip (Great Expectations) by Neil McCormick

Quilp (The Old Curiosity Shop) by Christopher Howse

Rosa Dartle (David Copperfield) by Rupert Christiensen

Sissy Jupe (Hard Times) by Florence Waters

Madame Defarge (A Tale Of Two Cities) by Daisy Bowie-Sell

Aged Parent (Great Expectations) by Martin Chilton

Ebenezer Scrooge (A Christmas Carol) by Charles Spencer

Uriah Heep (David Copperfield) by Mark Monahan

Estella (Great Expectations) by Serena Davies

Stephen Blackpool (Hard Times) by Dominic Cavendish








[PR]
# by uraracat | 2018-06-12 17:14 | 文学・詩 | Trackback | Comments(0)

『パディントン2』UK版DVDの監督コメンタリーを聴きました ♪

日本版DVDは7月4日発売。待ちきれない私は、UK版をヘビーローテ!
コメンタリーで感じたこと、少しずつ綴っていきます。


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いろいろ綴っていこうと思いましたが、裏ネタばらし(それが面白いのですが)になってしまって本編を純粋に楽しむことができなくなるかもしれず停滞中・・・(個人的には脚本の現場や発想のもとほど興味深いものはないのですが…)



d0160581_20234619.jpg
この器械の名まえがわかりました!
”ヴァン・デ・グラフ起電機”
ローラーによってゴムベルトを回転させて電荷を運び、絶縁性の柱の上に置かれた中空の金属球に溜めていくことで非常に高い電位差を作り出す。卓上用の簡便な機種でも電位差は数100 kVに達し、目に見える大きさのスパークを発生させるのに十分なエネルギーを蓄えることができる。簡便なヴァンデグラフ起電機は静電気学の教材として、またはサイエンスショーや科学館での展示に用いられる。(wikiより)


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*******

日本語のムービーストーリーブックは、昨年12月に刊行されていました。
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[PR]
# by uraracat | 2018-06-11 12:14 | パディントン | Trackback | Comments(1)

Short Film "Palo Santo" premiere on 13th June in London

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Years and Years is having a film premiere for their short Film Palo Santo on 13th June in London.
Starring Olly Alexander, Vithaya Pansringarm, with Judi Dench and Ben Whishaw, directed by Fred Rowson.



[PR]
# by uraracat | 2018-06-08 06:57 | ショート・フィルム | Trackback | Comments(0)

More photos of Norman Scott & Ben's Interview on Meeting Real Norman, etc

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BBC One @ BBCOne Twitter 動画 2018年6月1日
Filming with HUGE dogs on the set of A Very English Scandal was a complete de-BARK-le…



















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epi 3 より(X






















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Ben Whishaw as Norman Scott and Eve Myles as Scott's friend Gwen Parry-Jones (PressReader.com)



Scandalous Times:
Hugh Grant and Ben Whishaw on recreating the 60s and 70s in A Very English Scandal

Release date:

Duration: 2 minutes

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[PR]
# by uraracat | 2018-06-02 07:57 | テレビドラマ | Trackback | Comments(0)

あはは!またも、不思議な髪型やなぁ。。。。。☆

一度波が寄せて、返らずそのまま・・・?(笑)

Fatima☆彡Exams! @ lafatimayette さん ツイッターより
Ben Whishaw walking around London in dungarees and a cardigan? A Style Icon
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[PR]
# by uraracat | 2018-06-01 07:24 | その他 | Trackback | Comments(0)

ベンさん、舞台『NIGHTFALL』をご観覧 @ Bridge Theatre on 25 May 2018

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ツイッター情報 ↓
◆Darren Jones @ djdarrenjones 25 May 2018
Ben’s one of the two chaps behind us in the pic. Here he is photobombing...

X



[PR]
# by uraracat | 2018-05-27 11:33 | 舞台 | Trackback | Comments(1)

”Bond 25” ☆ ダニー・ボイルが監督として決定

James Bond: Danny Boyle and Daniel Craig confirmed for 007's 25th outing


theguardian.com 25 May 2018





* * * * *




Daniel Craig version of the character has already had a happy ending, but bringing on a filmmaker like Danny Boyle promises something wildly different for 007.


・・・・Purvis and Wade have made major strides in the franchise, but they also tend to rely on the familiar and repeat plot beats. Bringing in Boyle — who his working on the story with his frequent collaborator John Hodge scripting it — suggests we may be looking at a very different Bond than we’ve come to expect when the film lands on
Nov. 8 2019.

・・・・ For Boyle, this level of scrutiny on a project in development is new, he told The Hollywood Reporter Thursday in New York.


・・・・・While filming is not expected to start until the end of this year, and many more details are certain to emerge before then, the quick shooting schedule suggests that Boyle has something new in-store for the character. Now seems like the perfect time to destabilize the public perception of James Bond with a filmmaker willing to chart his own course, because whether or not it works, one thing is certain: James Bond will return.

The Hollywood Reporter  March 16, 2018


[PR]
# by uraracat | 2018-05-26 05:13 | 007/Spectre | Trackback | Comments(3)

”Another Day In Baghdad" fundraising & Script reading @ Royal Court Theatre 2018 May 24

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AnotherDayInBaghdad
@AnotherDayInB
  (X)

[PR]
# by uraracat | 2018-05-25 07:35 | Public Service | Trackback | Comments(0)

More from "A Very English Scandal”

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Norman Scott, “a striking mix of the cherubic and the saturnine”, in 1968
Tom Hustler/CAMERA PRESS

THE TIMES Books: A Very English Scandal by John Preston


[PR]
# by uraracat | 2018-05-16 05:55 | テレビドラマ | Trackback | Comments(0)

ベンさん、ベケットの "How It Is" をご観覧 ☆ 2018年5月14日@PrintRoom

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"His Picture in Little" で一緒だった スティーブン・ディレインが出演

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[PR]
# by uraracat | 2018-05-15 14:36 | 舞台 | Trackback | Comments(0)

Sunday 20 May at 9pm ☆ "A Very English Scandal"  BBC One

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Hamilton Hodell Twitter





















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A Very English Scandal
Episode 1
It is 1960s England, homosexuality is illegal and the politician Jeremy Thorpe begins a whirlwind affair with a young stable hand, Norman Scott. But when the relationship turns sour and Jeremy’s career goes from strength to strength, Norman becomes a secret that Jeremy is desperate to hide...



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bbc.mediacentre


やっと日にちが出ました☆



* * * * *



Getting off Scott-free
BEN WHISHAW PLAYS THE GAY LOVER OF A LEADING UK POLITICIAN IN A NEW BBC DRAMA WHICH CENTRES ON POSSIBLY THE GREATEST SCANDAL EVER TO HIT THE BRITISH ESTABLISHMENT
WORDS SIMON EDGE







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Ben Whishaw is sitting in a caravan in the grounds of a Victorian gothic mansion in Buckinghamshire, with blood splattered all over his face.

The gore seems to have come from a Great Dane called Rinka, which has been shot in front of him. Fortunately, no animals have been harmed in the filming of this scene. I know, because I've just seen the corpse of the dead hound lying in a bed of bubble wrap ー and it's reassuringly prosthetic.

In the late Seventies, poor, butchered Rinka was household name. Her owner, a model called Norman Scott, had been the gay lover of Jeremy Thorpe, the brilliant and ambitious leader of the Liberal Party. To the macabre fascination of the nation, the dog was shot and killed in a botched attempt on the life of Scott himself, who had (what we would now call) stalked Thorpe after the affair came to an end.

In what was billed as the trial of the century, the leader of Britain's third political party was charged with conspiracy and incitement to murder.

The verdict was almost as sensational as the case itself. After a staggeringly biased summing up by the judge, who vilified the prosecution witnesses and suggested to the jury that it was impossible to imagine as decent a chap as Thorpe actually committing buggery, the politician was acquitted of all charges. But it ruined him.

The case has since drawn the attention of a succession of writers. The latest is journalist John Preston, whose book, A Very English Scandal, has been turned into a three-part BBC drama, directed by Stephen Frears ー best-known for his Oscar-winning film The Queen ー and starring Hugh Grant as Thorpe and Whishaw as Scott.

Whishaw, born in 1980, freely admits he knew nothing about the case before he was offered the part, but was shocked by the brutal way in which Scott, the only openly gay witness, and the victim of the plot, was treated at the Old Bailey.

"I'm sort of amazed," he says. "I feel as if attitudes have only really shifted in a widespread way over the past five years or so, when it has become unacceptable to say homophobic things ー even under your breath.

"But for lots of my life it was [acceptable], and you encountered it a lot. And I'm sure it's still happening all over the place.

"Back then, obviously, you could be a senior judge and say all those revolting things, and they painted Norman as this hysterical poof. It's awful, but kind of hilarious as well."


Calling it hilarious may seem like an odd take on the grotesque homophobia of the times, but producer Dan Winch chips in to back him up. "What actually happened was farcical," he says. Indeed, this tongue-in-cheek production takes the view that this may have been the only murder plot ever hatched in the House of Commons, but its bungled execution was hilariously inept.


THE STORY BEGAN in 1960 when Thorpe, then 30 and the MP for North Devon, met 19-year-old stable hand Scott. Despite homosexuality still being illegal, they had a long relationship, with passionate love letters to prove it ー in which the politician called Scott "Bunnies." But these came back to haunt Thorpe after they parted.

Somewhere along the way, Scott lost his National Insurance card ー which he needed to get work ー and trying to get it back fuelled his increasingly obsessive behaviour. When Thorpe brushed him off, Scott asked for money and he remained persistent, even when he got the cash.

By 1975, Thorpe was married, widowed and married again. He had been offered a Cabinet post in a proposed coalition with Edward Heath's Conservatives and had serious ambitions to become prime minister. He began to wish he could rid himself permanently of his stalker. It would, he is reported to have said, be "no worse than killing a sick dog".

He sought the help of his friend Peter Bessel, a fellow West Country MP, who was also a philanderer and a serial bankrupt. Somehow a hitman, in the shape of ex-airline pilot Andrew Newton, became involved, but he was a heavy drinker and so dim that he was nicknamed Chicken Brain. He first botched the killing by going to Dunstable when Scott was in Barnstaple, then famously shot the dog Rinka instead of Scott.

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It was these couldn't-make-it-up aspects of the story which fired the imagination of Russell T Davies, creator or Queer as Folk and the revived Doctor Who, and a master of black comedy. He wrote the script for the drama and, in doing so, has brought his own brand of subversiveness to the project.

"It walks the balance between satirical humour and a punch in the gut," says executive producer Dominic Treadwell-Collins, who previously worked on EastEnders. "That's what's lovely about getting Russell working with Stephen Frears: one of our best writers and one of our best directors working together. We took the book to Russell, who said he had always wanted to tell this story. It's about powerful men, and what they think they can get away with ― the conspiracy of silence. It's also a gay story.

"Russel is the first gay man to tell this story, so he's also looking at the fact that homosexuality had just been [partially] decriminalised while this was going on."

Despite his acquittal, Thorpe found himself shunned after the case, and remained so for the rest of his life. He died little more than three years ago, aged 85, after a long battle with Parkinson's disease, which is why the case can now be dramatised without the worry of libel proceedings.

Treadwell-Collins is quick to point out: "We're careful not to say that Jeremy Thorpe said 'hire that man and kill that [other] man'," he says. "He was found not guilty and nobody knows exactly what happened. But we're going by the version in John Preston's book, because that's the one we've got the rights to. That version implies that Jeremy said, 'Rid me of this man, I'm going to look the other way'."

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親切なブログ読者の方から↑画像お送りいただきました☆Thanks!



Alex Jennings, who plays Thorpe's friend Bessell, remembers the Liberal leader from his childhood and sees him ー at least in part ー as a victim of homophobia.

"Jeremy Thorpe was a considerable figure when I was growing up," he says. "My grandparents met him on holiday in Devon. They were Labour supporters and he changed the way they voted. People were in thrall to him and charmed by him. Homosexuality was illegal and he was having to live under the cloud of that, leading a double life. Had it been legal, things might have been very different."

At the time, Scott was portrayed by the press as a pathetic, mincing figure whose life was worthless. It was hard to imagine a charismatic, glittering man such as Thorpe falling for him. In the witness box, he complained that Thorpe had "infected" him with the virus of homosexuality and also told the court that losing his virginity was "like being cut in half."

From an early trailer, however, it appears that Davies has made him into a more defiant, modern figure. We see Whishaw
emerge from the Old Bailey to declare: "I was crude, I was vile, I was queer, I was myself."

But Treadwell-Collins insists that the script does not turn Scott into anything other than what the man truly was.

"At the beginning, Norman is a quiet little guy who gets caught in Jeremy Thorpe's world," he says. "But it changes him, he gains confidence and this is his journey.

"Russell's point is that it was a very brave thing for Norman, at that time, to stand up and say, 'I'm gay and I was having sex with that man'. We show how that emboldened Norman and gave him his voice."

Scott is the only figure directly involved in the case who is still alive. Now in his mid-seventies, he lives in Devon.

Whishaw met him for research. "Norman is a very lovable character on first meeting, very charming, very funny, clever," says the Bafta award-winning star. "The Establishment tried to rally around one of its own, and he was a victim of that."

Whishaw, who appeared in London Spy last year, also has no qualms about modern audiences laughing at the story. "It's farcical yes, just in the way that life sometimes is. None of what Russell has written has been heightened or fantasised. Life, even when it's awful and serious, has a funny element."


Attitude : May 2018


The Guardian : 14 Apr 2018






※察するに、この撮影の時の長い髪は鬘(かつら)ではないかと・・・

理由①
撮影とちょうど同じ時期だった『パディントン2』のプレミア時の髪がこれより短くて、切ったのかと思ったら、数日後の撮影時にまた長くなっていた。
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理由②
ベンの髪にしては微妙につやがなく、ばさばさ、かさかさしてる感が・・・。
こういうかつらでノーマン・スコットの、貧乏田舎生活の情けなさを出そうとしているのか・・・?

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*****



BAFTAでスクリーニングがあったようです。

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Ben Whishaw, Russell T Davies and Hugh Grant at BAFTA on 18 April, 2018








[PR]
# by uraracat | 2018-05-10 06:59 | テレビドラマ | Trackback | Comments(5)

A Very English Scandal: TRAILER & BBCインタビュー記事

Interview with Ben Whishaw :
BBC Mediacentre



What’s it been like working with Hugh Grant?
I have loved working with Hugh, he’s wonderful. I have admired his acting for so long. I think he is such a beautiful, delicate comic performer and it’s brilliant to see him play this role, which has this slightly darker edge to it. I just think he’s wonderful. He’s so inventive and free – but so thoughtful and won’t let up until he’s got it exactly how he wants it. I really respect that.




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A secret affair that threatened the life of one man and the entire British establishment...



New Trailer https://twitter.com/BBCOne/status/993815277493276672






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*****






John Preston の動画もありました☆




































なんとなくイメージが似ている2枚・・・
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[PR]
# by uraracat | 2018-05-05 20:16 | テレビドラマ | Trackback | Comments(3)

”I Understand Why People Kill"  Ben Whishaw ☆  The Telegraph Magazine

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'I understand why people kill'
:
Actor Ben Whishaw on political scandal, sex, lies and being gay
‘I knew nothing about it,’ says Whishaw when we meet in a hotel next to Liverpool Street Station. ‘It was all a surprise. But I suppose I was drawn to the story on a human level, the strangeness of the situation these men found themselves in, and the kind of obsessive nature of their relationship with one another.’

‘Norman was raised a good Catholic boy,’ says Whishaw, explaining his character’s conflicted feelings about his sexuality and his sense that he had been somehow corrupted by Thorpe. ‘And if you were brought up in a religious home, homosexuality was sinful. I can understand why he did what he did.’


‘To try and hide something is just a torture,’ says Whishaw, who even with a slicked-back quiff and rugged beard radiates a winning gentleness of character. ‘You just want to speak frankly and honestly, it’s much easier.’

‘It’s not hard for me to imagine what it was like in the 1960s, how you had to repress everything and bury it. And then things get twisted out of shape and you start behaving very strangely.’


‘Norman went to him. Jeremy didn’t go to Norman. Norman went and sought out Jeremy, and apparently had already – this is not in the film but is in the book – been telling people in the village he was living in that he’d had a relationship with Jeremy Thorpe. So there was a fantasy about Jeremy Thorpe that had bloomed in his mind before anything had happened.’

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Photos: ⒸFrederike Helwig





Whishaw says that the #MeToo movement was just beginning as they were filming, but although the echoes of those power dynamics are evident in the film, the actor says it was not an issue that they discussed. ‘My feeling was that in many ways these two people entered into this relationship quite equally and knowingly. And I think they somehow met their match in each other. I didn’t view Norman as a victim of this older man. I felt like he knew what he was doing.’

As a young actor, Whishaw says he never experienced sexual harassment, although, he adds, ‘I know other people who have – mainly women. But until [the post- Weinstein revolt] happened, there was a sense that this is just the way the world goes, this is the nature of things. There was a huge fury, but a kind of shrug of the shoulders. And now it’s become this revolution, which is brilliant in many ways.’

*****

Another aspect of A Very English Scandal, implicit rather than laboured, is the role of class. There is a social divide between Thorpe and Scott, but it’s one that their sexuality cuts across. ‘It’s definitely something that was there,’ agrees Whishaw, ‘and something that Norman was aware of.’

He says that he’s encountered the same social divisions in the theatre. ‘But I’m a bit like Norman. I think he has invented a persona for himself that means he can be quite fluid in class terms.I would say I sort of feel the same. In the theatre you meet people from every background. You have a choice of whether you want to view everything through the lens of class and I choose not to. It’s not the first thing I think about with people.’


*****

To say that Whishaw has never looked back since Hamlet would be more than usually true. ‘At the end of the evening on stage, at the end of the shoot, it’s gone. I never think about it ever again. It’s all wiped,’ he says. He claims to remember very little of the performances he’s given. That can’t be said of his many admirers. Whether it’s playing the boffin Q in James Bond films, John Keats in Bright Star or the intrepid Freddie in the TV series The Hour, Whishaw always quietly leaves his imprint on a part.

His next acting job, he says, is playing Uriah Heep in Armando Iannucci’s film version of David Copperfield. He’s thrilled by the prospect, not least because he loved Iannucci’s Death of Stalin.


Given that he is so adept at placing himself within a wide range of characters, I wondered if he felt that his sexuality helped him to get under the skin of Scott. ‘I’ve thought about this a lot. When I really reflect on it, I don’t think it does. What I suppose I mean is that just because a character is gay and I am gay, doesn’t mean that there’s going to be automatically a greater connection than with a character that was straight or whatever else. Acting for me is not autobiography.’



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Nor is it impersonation, but he says he did meet Scott at a lunch arranged by Frears and ‘got a feeling of him’. As he is plays Scott as a younger man, Whishaw was not worried about the dangers of mimicry after coming face to face with his subject. In the film, the character of Bessell describes Scott as one of the bravest men in England. What was Whishaw’s impression?

‘I think he’s someone who’s really free,’ he says, knitting his eyebrows in thought. ‘He’s living his life the way he wants to live it. He’s flirty and sort of funny and quite biting about people, but attractive, youthful. He didn’t seem like a 70-something-year-old.’



Scott now lives in an old farmhouse on Dartmoor with eight dogs. He has a long-term male partner, an artist, who is resentful of how Scott was disbelieved and hounded. Scott told Whishaw that he felt his life had been blighted by Thorpe, and believes that the Establishment conspired to protect one of its own.

Whishaw and Frears asked him if he was ever in love with Thorpe. ‘He said no, he’d never had any feelings. But I think he is – and I would say this to his face – I think he’s the kind of person who on one day might say one thing and on another day might give you another kind of story, depending on how he’s feeling and what’s going on.’

So not an entirely reliable narrator. But then Scott’s life has not been an easy one. He went on to have two children and an ex-wife who committed suicide.


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                 Photo ©BBC/BLUEPRINT TELEVISION LTD


Sir Joseph Cantley cast aspersions on the prosecution witnesses and commended Thorpe’s unblemished career and character. He described Scott in his summing up as, ‘A hysterical, warped personality, accomplished sponger and very skilful at exciting and exploiting sympathy… He is a crook. He is a fraud. He is a sponger. He is a whiner. He is a parasite.’

It remains Whishaw’s firm belief that no one should ever be forced to divulge their sexuality. ‘People talk like you owe it to the cause, which I don’t think anyone does. It’s not anyone’s business. And it’s no one’s place to judge anyone else on how they deal with it.’ But all the same, he can see why Scott wanted to ‘out’ Thorpe. And what’s more he can also see, and believes the film shows, ‘why someone might be driven to kill, insane as that sounds’.


More than anything, Whishaw sees the story as a judgment on the period rather than the people. At its heart, he suggests, was a love that, in another age, might have flourished. ‘Because of when they lived, all that energy that might have gone into the relationship went into destroying each other. I see it as a love that was warped by the pressures of the time.’

That may be a romantic reading of two incompatibly difficult people – one highly ambitious, the other highly strung – but it probably also points to an abiding truth. After you’ve got through all the shock and scandal and mad behaviour, what’s left is two men who were locked in a corrosive embrace for almost two decades.





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A Very English Scandal will be on BBC One in May






















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[PR]
# by uraracat | 2018-05-05 19:25 | 写真/雑誌撮影 | Trackback | Comments(0)

Ben Whishaw as Norman Scott in "A Very English Scandal"

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(Took place on 20 Nov 1978) AP Archive



















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How did you negotiate the kissing with Ben?

“No negotiation at all. We just went at it. I got - what do they call it? - ‘pash rash’ from his beard. But Ben is a very brilliant actor, and don’t forget we worked together before because he was my wife in Cloud Atlas [laughs]. He’s remarkably un-luvvie for a top actor. I loved him. One always says in these interviews that one loves one’s co-star, but I do love Ben, actually.”

- Hugh Grant (


◆ヒューのインタビュ―はどうやら ”PILOT” マガジンらしいです。


◆ベンのは、 ”ATTITUDE” マガジンで、内容はまだ未見。











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Penguine Books から Kindle ヴァージョン
























ベン部分 2:11 あたり~











ベン部分 0:50 あたりに動画が少し
























as of November 11, 2017

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Hertford, Nov 7

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East Herts Police @CiMcdonald  2017年11月9日

A very happy Pc Henderson meets Ben Whishaw the voice of Paddington and Q from James Bond

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Michele Dotrice as landlady Edna Friendship and Ben Whishaw as Norman Scott

7 Nov 2017
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[PR]
# by uraracat | 2018-05-02 07:48 | テレビドラマ | Trackback | Comments(2)

Film " A Muse” ☆ Tacita Dean at The Fruitmarket Gallery  

Tacita Dean
7 July – 30 September 2018
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The person and personage of the actor re-emerges in the three small films, all filmed in 2017, and all using Dean’s pioneering technique of masking film so that it may be run several times through the camera, collaging together scenes shot completely separately to appear as one unified film.  A Muse, shown here for the first time, shows actor Ben Whishaw calling over space and time to the poet, essayist and professor of Classics, Anne Carson.


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fruitmarket.co.uk




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"His Picture in Little"

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Three great actors appear on a screen not much bigger than a smartphone in a small, dark room of the National Portrait Gallery. Ben Whishaw is filmed in summer sunshine, a young man dreaming, reading, or waiting for some offstage presence. David Warner shifts in his seat, a mysterious interior monologue played out in his magnificently senatorial features. Stephen Dillane retreats from the camera, or turns directly into it with all the intimacy of an impending soliloquy. Each has been a famous Hamlet in his time – but what part are they playing now?

The Guardian






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A trio of Hamlets came face to face with their miniature film portraits ahead of a show by artist Tacita Dean.

Ben Whishaw, Stephen Dillane and David Warner, who have all played Shakespeare’s prince, feature in His Picture In Little, which will be shown on a continuous loop at the National Portrait Gallery from tomorrow until May 28.

Dean filmed the trio separately and cut the clips together into the 15-and-a-half minute piece, named after a line from the play.

They met at the gallery yesterday to watch the film for the first time. Whishaw, 37, played Hamlet at the Old Vic in 2004.

Evening Standard 2018.03.14

























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“For His Picture in Little (2017), a 35 mm anamorphic film optically reduced to a 16 mm spherical format and displayed amongst the national Gallery’s miniatures, Dean recorded three actors in different parts of the world – Dillane, David Warner and Ben Whishaw – on the same reels. each plays his own part without being able to see what the other actors are doing, their occasional and accidental synchrony epitomizing the crucial ‘beauty of the unintended thing’ that Dean seeks out and hopes to communicate in all of her work. ”

His Picture in Little will be displayed in National Portrait Gallery from 15 March to 28 May.










nicholascullinan instagram
Here's one of the catalogue covers for Tacita Dean's forthcoming exhibition with the NPG/NG/RA. These are stills from a new film Tacita has made especially for and in response to the NPG -
'His Picture in Little'. Borrowing its title from a line in Shakespeare's 'Hamlet', the film depicts three actors of different generations -
Ben Whishaw, Stephen Dillane and David Warner - all of whom have played the Danish prince. When Tacita and I began talking about this project three years ago and spending time in the NPG's galleries, we got excited about our collection of Elizabethan and Jacobean portrait miniatures, and so this film is miniature in scale (the first ever, I believe) and will be shown alongside a group of works by Nicholas Hilliard, Isaac Oliver and portraits of writers such as Shakespeare and John Donne. Can't wait.


もう一つのポスター目撃情報


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Stephen Dillane and Tacita Dean (byGoanie)

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Event for a Stage (Short Film)
             photo@susannahwimberley.com

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Stephen Dillane takes a piece of text from Tacita Dean on stage










































こういう生というか、大昔では当たり前だったようにも思えることを現代は敢えてやる人がいないから、アートになるんだな・・・

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# by uraracat | 2018-04-28 00:12 | 写真/雑誌撮影 | Trackback | Comments(1)

舞台 ”ジュリアス・シーザー” の感想

感想を書いての感想:
今回の舞台は、ストールで観るか、ギャラリーで観るかで大きな体感の違いがあったと思う。

ここ数年の(いや、この21世紀の)私の中で、セリフ劇というものへの疑問と抵抗感が否めないという問題も孕む。
(グレアム・ノートンもよく番組で、「舞台が好きじゃない」発言をしているのを聞く。米ドラマ『ニュースルーム』でも、イギリス人女性プロデューサー、ケンブリッジ大出のマクヘールが、「ナショナル・シアターに芝居を観に行ったが、よく眠れた」というようなセリフが出てきた。)
テレビも何も娯楽がなかった頃、観劇者は、”オーディエンス”と呼ばれ、”役者の台詞を耳で聴く者”という意味で、それを聴くために一日を劇場で過ごそうと出かけたシェイクスピアの16世紀と21世紀の今の状況の違いを充分考慮に入れた革新的な演出にしないと観るのが辛いのだ。シェイクスピアが伝えたかったことを別の形であぶり出して・・・・。

わたくし、20代前半に映画にかぶれ、後半には、演劇に通うようになり日本の大概の名の知れた劇団の舞台は見尽くし、ストレートプレイよりも、モダンバレエ、ダンス~パフォーミング・アーツへと傾倒。(その頃、モーリス・ベジャール、ピナ・バウシュも流行っていた。)日本では、大野一雄、勅使川原三郎を観るようになっていた。

どちらかと言えば、映像派で、タルコフスキーのあぶり出すような精神性を追いかけるのが好きだった。
ロシア文学の匂いがするニキータ・ミハルコフもよく観た。ロシアの大地も感じたかった。
活字も、私は小説よりは詩が好き。音楽も好き。絵画も好き。感覚派。

そして、ここ数年は、能の舞台に惹かれている。

数年前に観た、ギリシャ叙事詩『オデュッセイア』からのギリシャ人演出家ミハイル・マルマリノス演出、梅若玄祥シテの能『ネキアー冥府行』もあの長い冗漫な叙事詩を1時間の中に凝縮。エッセンスのあぶり出しと言ってもいい。

ベルギー人演出家イヴォ・ヴァン・ホーヴェも、能から多分に影響を受けていて、ピナ・バウシュのタンツ・テアター(ダンス演劇)に匹敵する、大胆・ラディカルな翻案、演出、舞台美術で、テーマをあぶり出しにしている気がする。3作しか観ておらず、シェイクスピアものは観ていないので何とも言えないが、あの長さ、冗漫さをどう料理するのかぜひ観てみたい。

なので、ベンが出ている云々よりもさきに、私がこの21世紀にシェイクスピアを観ること自体に無理があるのだ。

今回も、あぶり出し式にしないと、どんなに奇抜な装置を使っても、セリフをそのまま話す以上、冗漫さは避けられず、長ゼリフのところだけ、舞台上にいきなり、活字がたくさん並んだ本のページが浮かんでいるように見え、(特にヘタな)役者は間違わないように言うのに終始して、せっかくの生のセンセーションが消えてしまう。よっぽどの生のインタープリテーション力がないと・・・

ベンは、『ハムレット』『パフューム』の頃は、それがあったのだけど、場数を踏めば踏むほど、真面目な作品なら作品ほど、それが薄れ、サラリーマンのように無難な演技になって行ってしまう。(もちろん、彼も作品、作品で頑張ってはいるのだけれど・・・)。かなりの力の演出家に出会わないと、そのまだ内奥の潜在的なベンの原石が磨かれて輝かせないのだ。

(それどころか、ベンの特異さと演技力だけに頼った若い監督などの映画にも引っ張り出されたりで・・・)

舞台ならイヴォかトレヴァー・ナン。映画では、トム・ティクヴァ。かなあ。も一回シャープに磨いてくれるのは・・・

というのが、根っこの根っこの本音。

かな・・・・。今。









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Photos from gramunion 拡大できます☆



*…Some Trace of Her から10年。その時取ったパスポートも今年書き換え。ベンの演技にだいぶ不感症になっているのか、期待の8割だった。

*最初のイントロで、ロックのヴォーカルの大柄の黒人の子が、フロントマンなのに声量が足りない。パンチがない。(そこからめげた…)

*ベン、大声でも少し太い声が出せるようになっていた。

*最初は髪の毛濡らしててっかてっかに撫でつけて出てくるのに、演技中100回以上は髪に触るので、だんだん乾いてぼさぼさになっていくさまが可笑しかった。。。(でも、《カラスの濡れ羽色》とはこれか!というくらい黒光りで美しい髪!)

*ベン、Well-tailored のスーツが姿が似合っていた。

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*『ジュリアス・シーザー』はシェイクスピアの中でも, 卑猥さや笑いの少ない生まじめすぎる作品とのことで、決め台詞のところだけは予習した。

*幕間なしに2時間。3回観た2回めに横に座った英国人シニアの演劇ファンらしい男性が、上演中2回も時計を見た。ということは何を意味するのか。(3回めは、さすがに千秋楽だったので、スタンディング・オベーションもあったけど、ちょっとおなさけというかサービスに感じた。)

*ミッシェル・フェアリーがメリハリあるいいデリバリーだった。

*キャスカ役の黒人女優も、笑いを取るいい演技だった。

*アントニー役(デヴィッド・モリッシー)に少し俗物さが足りないと感じた。


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*会場の大がかかりなしかけに気を取られすぎて、演出/キャラの立ち方/デリバリーが退屈だと感じた(←長ぜりふのシェイクスピアだからしょうがないか・・・?)




*人種、ジェンダーに気を使った配役になっているのを感じた。女性、黒人、アジア人、アラブ人、適度に配していた。そういうところに気を使い過ぎて、平均的で尖がりがなくなっているのか・・・?もとより、ニコラス・ハイトナーさんの演出、映画『クルーシブル』と舞台 ”His Dark Materials” しか観てないけど、そんなにセンセーションを感じない演出。(イヴォ・ヴァン・ホーヴェを観ちゃうとね……)

でも、NTライブはどういう編集になっているか楽しみ!
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*ベンを最後の日のマチネの入り待ちで見かけましたが、遠くから眺めるのみ。ファン二人ほどに写真とさらさらっとサイン。

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辛口感想もがっつり書きました。
↓↓↓↓↓  ※11月のナショナルシアターライブをご覧になる方は、お読みにならない方がいいかと…


◆ ◆ ◆ 辛口版感想 ◆ ◆ ◆ 
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# by uraracat | 2018-04-25 03:44 | 舞台 | Trackback | Comments(0)

タチタ・ディーン "His Picture in Little" のポストカード ☆

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ナショナル・ポートレート・ギャラリーでこの映像のポストカードが£1にて販売。

(2004年のハムレットの写真がポストカードになっているかと思って探しましたが・・・ありませんでした)


Tacita Dean invites us to slow down in her trio of London exhibitions
 

Upstairs in the permanent collection and flanked by cases of Elizabethan miniatures and portraits of Shakespeare and John Donne is a tiny miracle of a film, not much bigger than a smartphone. The title, His Picture in Little, is taken from Hamlet and it portrays three actors who have played the role over three different generations: Ben Whishaw, Stephen Dillane and David Warner.

They don’t do much, just sit, loll and look, but their presence is immediate and intimate – especially when you discover that, although they can appear in the same frame, they were never physically together.

Using the same masking system that she used in her giant film for Tate Modern’s Turbine Hall in 2011, Dean shot different sections of the same 35mm frame in different countries and at different times. Coexisting in the celluloid, the trio are compellingly portrayed just being – or perhaps acting – themselves
.


Telegraph > Lifestyle  25 March 2018


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# by uraracat | 2018-04-20 18:02 | 写真/雑誌撮影 | Trackback | Comments(0)

The Hour 3 が実現するかもしれない ☆

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[PR]
# by uraracat | 2018-04-19 21:44 | テレビドラマ | Trackback | Comments(1)