All About Ben Whishaw :イギリスの俳優ベン・ウィショーのインタビュー記事の訳、舞台や映画のレビュー、写真等、ベンに関する情報やおしゃべり・・・
by uraracat
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映画『遺伝子組み換えルーレットー私たちの生命のギャンブル』
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GMO(Genetically Modified Organism)
正確に訳せば遺伝子操作された生命体

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最新の記事
PADDINGTON 2 -..
at 2017-10-18 12:46
The Holy Ghost..
at 2017-10-14 21:22
A Very English..
at 2017-10-10 17:49
"How To Talk T..
at 2017-10-09 16:51
Family Happine..
at 2017-10-09 08:00
A Very English..
at 2017-10-02 06:44
AGAINST ☆ Talk..
at 2017-09-28 21:10
舞台 AGAINST ステー..
at 2017-09-20 06:40
舞台 "AGAINST" ..
at 2017-09-20 06:00
所属していた青年劇団に ”ベ..
at 2017-09-16 20:49
舞台 ”AGAINST” ..
at 2017-09-11 11:14
The Times ☆ In..
at 2017-09-09 09:42
Queers  ☆ BBC ..
at 2017-08-23 20:19
女優はジーナ・ローランズ..
at 2017-08-18 05:00
One Night in A..
at 2017-08-03 00:58
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画像一覧


PADDINGTON 2 - Official Film Trailer (International)

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日本公開
2018年1月19日













[PR]
# by uraracat | 2017-10-18 12:46 | パディントン | Trackback | Comments(1)

The Holy Ghost Zone ☆ ファンディングゴール達成 & ベンお誕生日おめでとう!

役者としての更なる挑戦と、いい歳の取り方を見せてくださいね。
社会に対する目の開け方を教えてくれてありがとう☆
難題に直面した時に寄って立つ瀬として頼りにしています。
これからもご活躍を!


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kickstarter.com

プロジェクトについて


THE HOLY GHOST ZONE


Youthful Stephanie enters the Holy Ghost Zone, while her boyfriend, Emmanuel, receives unlikely guidance as he prepares to enter the wilderness. A mixture of rapture and disenchantment, THE HOLY GHOST ZONE follows the inner experiences of two believers at opposite ends of the spiritual spectrum.



FROM ACTOR/PRODUCER BEN WHISHAW


For as long as I can remember I have dreamed of bringing together a small group of friends to make work that is personal and idiosyncratic and experimental, where we feel free to look at the things that interest us, however peculiar or difficult. So I'm delighted that this longing is finally taking shape in the form of THE HOLY GHOST ZONE.


Mark’s script is a gem. It does the thing I love films to do : it takes me into a world. A funny, strange, unfathomable little world. I’m very excited to be involved in producing the film as well as acting in it.


Ben x





FROM WRITER/DIRECTOR/COMPOSER MARK BRADSHAW


I left the church over 15 years ago, but I continue to look back. With THE HOLY GHOST ZONE, I intend to tell a tale both side-splitting and soul-shaking, a tale that playfully and perceptively explores concepts of belief and transformation.


This will be my first time directing a film of this sort, a challenge I’m looking forward to as I am passionate about this story and believe many will relate to its central themes.

We have assembled a talented and dedicated volunteer cast and crew. Most of the expense is in equipment hire, locations, accommodation and crew costs.


Please consider pledging and please do share our project with your friends and circles!

We can't wait to make this film with your help!

Thank you for your support!


Mark x


*****

As of Sept. 14


£21,533 Raised

174 
Backers

215% 
Funded

28 
Days to go
 



backerkit.com



あっという間でしたね。。。


*****

長年、温めていた作品が形になるのですね。(ずっと前に「教会についてあるストーリーを持っている」と言っていましたものね。でも、自分は書く人間ではないことを認めざるを得ず、誰か書くのを助ける人が必要だと・・・)パートナーのマークと完成にこぎ着けたのですね。

その念願がかなうせいか、自分のことを自分で決められる嬉しさか、ベン、子どものような笑顔(照れもある?)で支援者を募っていますね。。。


どうしてこんなに、急に話が決まったのかと思ったら、出演者の Fehinte Balogunさんや、Emma D'Arcy さんって、今 AGAINST で、一緒に舞台に立っている人たち。脚本ができていたのなら、出演者としての話が早かったのね。。。






*****

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unabellaavventura さんより

シャワー浴びたて、さっぱりとカメラの前に?
ロンドンのご自宅?






[PR]
# by uraracat | 2017-10-14 21:22 | ショート・フィルム | Trackback | Comments(0)

A Very English Scandal☆Filming in Manchester 8 Oct

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Photo via @Hollium on Twitter via unabellaavventura
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Photo via @trcye on Twitter via unabellaavventura














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dailymail







































First look: Hugh Grant and Ben Whishaw are ex-lovers in the film
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ew.com




Filming on Russell T Davies' major three-part drama for BBC One A Very English Scandal has begun.


The drama will be produced by Blueprint Television for BBC One in the UK and Amazon Prime Video in the US.


Further cast include Fisayo Akinade, David Bamber, Patrick Barlow, Lucy Briggs-Owen, Paul Hilton, Jonathan Hyde, Alice Orr-Ewing, Steffan Rhodri, Paul Freeman and Susan Wooldridge.

bbc.mediacentre







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irishnews.com




[PR]
# by uraracat | 2017-10-10 17:49 | テレビドラマ | Trackback | Comments(1)

"How To Talk To Girls At Parties" festival party at the Union club

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dailymail









[PR]
# by uraracat | 2017-10-09 16:51 | Public Service | Trackback | Comments(0)

Family Happiness ☆

FAMILY HAPPINESS - Director of Photography: Lachlan Milne ACS.
A story about bullying, small cruelties and the power of a brother’s unconditional love for his complex little sister. Family Happiness was lensed by the award-winning Lachlan Milne ACS (Not Suitable for Children, Down Under, Hunt for the Wilderpeople) and directed by Alice Englert (The Boyfriend Game) who also features in the film.

Orphans Romilly and Fiona, separately meet their old idol Jay Masbin (Mark Bradshaw) formerly of boy band ‘Boyz Believe’ with whom both have charged, though ultimately upsetting, experiences. They spend the night in each other’s company and perhaps are soothed.

Family Happiness
is quietly quirky and endearing, with both Ben Whishaw and Englert doing a nice job of finding the realism in their respective roles. Milne’s sublimely simple cinematography and delicate handheld work perfectly fits with the narrative, balancing humour and tragedy perfectly.


acmag.com

















🎥 BFI London Film Festival 2017 🎥

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Family Happiness screening at the BFI London Film Festival 2017.

Monday 09 October 2017 18:10,
Prince Charles Cinema, Downstairs Screen
On sale14-09-2017 10:00 am

Thursday 12 October 2017 18:30,
Vue Leicester Square Cinema, Screen 5
On sale14-09-2017 10:00 am


Family Happiness

A portrait of two siblings and their bond as they explore painful childhood memories, unhappy relationships and the complexities of adult life. Featuring Ben Whishaw and Alice Englert.


Dir Alice Englert. Australia 2016. 15min

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シドニー映画祭2017

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Family Happiness

A story about small cruelties, bullying and the power of a brother's unconditional love for his complex little sister.


The 64th Sydney Film Festival – 7-18 June 2017

http://sff.org.au/


[PR]
# by uraracat | 2017-10-09 08:00 | ショート・フィルム | Trackback | Comments(0)

A Very English Scandal  ☆ ヒュー・グラントと再共演

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Synopsis:

In 1979, former Member of Parliament, Jeremy Thorpe, stood trial over accusations that he hired a hitman to kill his alleged ex-lover, Norman Scott. A Very English Scandal chronicles Thorpe's early, secretive love life, at a time when sexual activity between men was illegal, and his subsequent public exposure. The novel also details Thorpe's trial and eventual acquittal.



















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Ben Whishaw will star as Norman Scott opposite Hugh Grant, who was recently announced as playing the disgraced MP Jeremy Thorpe, in Russell T Davies' major three-part drama A Very English Scandal for BBC One.

bbc.mediacentre












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”It’s a dream come true, to work with Ben. One of Britain’s finest actors playing one of history’s most fascinating men.” Russell T Davies




“Ben Whishaw is an extraordinary actor and we are thrilled to announce he will star opposite Hugh Grant in this scandalous real-life story for BBC One. I cannot wait to see this first-class British duo bring Russell’s powerful scripts to life.”  Piers Wenger, Controller of BBC Drama


















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Jeremy Thorpe (MP)

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ジェレミー・ソープを演じるヒュー・グラント




















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Jeremy Thorpe resigned as leader of the Liberal party after reports of an affair with Norman



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Male model Norman Scott seen here at his home in Coombe Martin




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Norman Scott modelling alongside his friend Stella Levy

























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Jeremy Thorpe DID send a hitman to kill me   dailymail.com







[PR]
# by uraracat | 2017-10-02 06:44 | テレビドラマ | Trackback | Comments(1)

AGAINST ☆ Talk Back & 私のレビュー

Against | Talkback@Almeida  21.09.2017
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Ian: How do you feel your way, night by night, through the contours of the play? It's a pretty complex journey. Ben you're on stage all the time, you don't get to nip off and have a cup of tea in your room. Even when you're not doing a scene, you're placed upstage. The feat of concentration and feeling your way through it, that must require such effort.


Ben Whishaw:
I just try and clear my mind - I think it's about a man who he believes that if he listens to people, if we truly listen to each other and talk honestly with one another and share and we are able to be intimate in that way; we could actually not be violent people. So that's what I try and do. It's really hard but I think I always just try and be present. That's actually it's my only note to myself. Obviously there’s a lot to do but the thing is to try and listen to what the other person is doing, saying to you.

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Audience Member:
There's a subtlety when Luke meets Kate, Luke is suddenly open to that relationship with Sheila - what is it about the Luke/Kate meeting that kind of unlocks Luke into the last act? How do you feel about that?

Ben: I feel it's a mysterious moment of what I think Christopher Shinn would describe as grace. It is mysterious so it's hard to say much more about it than that. But the gesture that Kate makes to Luke shifts something in him. It's sort of a gift she gives him, without even really knowing it or trying to or anything. Because he's receiving messages, he believes he's receiving messages and that's another message in a way, that moment.

Ian: I think when you say "Thank you for forgiving me," a spell has been released there to actually feel forgiven. It suddenly grounds you and energises you for the end because a lot of people carry shame and guilt. They say shame is the hardest of all the feelings to carry. There might be compensatory things that all of the characters do to manage their shame and their wounds and suddenly, out of nowhere, a kind of blast from the past, a first love releases something with that forgiveness.




Audience Member: We don't know what Luke's vision is, but as an actor and especially for the central character do you have an idea what this vision is?


Ian:
It think really great playwrights like George Bernard Shaw or David Hare would write Luke's vision and it would be given to you and you'd go off, having consumed the message and you would have received the answer. I respect that. But I think Christopher Shinn's dramatic method is to withhold that so that you go away active and thinking, ‘I wonder what it was’ and ‘oh, I wish I had it’ and ‘perhaps if we treated each other better and looked after each other and tried to save the planet, we'd hear a vision like that’.

What's great about the question is Ben knows what the vision is, the playwright's written it all out for him, so he's carrying that into that last sequence and no one else in the company does. So, Jon asks Sheila, "What are we doing? I need to know these plans" as a sort of compensatory way of dealing with oncoming trauma. Chris, the second character that Philippe plays, has a kind of "What is he going to say?" And I think Elliot’s character Melvin is kind of shocked because his investment in this vision - this mission - has been removed from him. And then, a sort of Mary Magdalene or whoever, suddenly you get this surprising communion, don't you with Tracy?

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Ian: How are you feeling about ending because you've got one more week after this. What's that like? How are you feeling because you're shot every night? It's a complex, let’s be honest it's a very complex zone to live in. What's it like for you there?


Ben:
I'll miss it. I really love the play. I like what it is, I like what it raises. I do find it difficult too because it's not a comfortable thing. I imagine it's not a comfortable thing or necessarily an easy thing to watch because it's probably not ‘entertaining’ in the way that people like to be entertained. It's been a beautiful thing.


And Christopher - I had a message from Christopher Shinn earlier on. He wrote this play and nearly died because he had cancer and he lost a leg a few years ago, he didn't think he was going to be here. This is the first play he wrote after he knew he was going to live. That's a very, really every night I feel that kind of... that's the area of the play came out from. That experience. In a way it's almost, because I think it's very hard, we can't live in that space of contemplating that. The end, what it means to not, potentially, not be here and then find you are here. I think he was dealing… figuring all that stuff out. It's very charged, the play. Quite difficult sometimes to be in that - put yourself in that place.


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Ian:
Most of the best art is - I'm talking about songs, novels, plays, films - they're really about one thing. How we process loss. How we deal with mortality and yes, there are lots of great things that are ‘entertaining’ and I love to be entertained. The best work, the deepest art is about us coming together and going through something together, which is challenging, about the big things. I just feel very grateful. You've not only sat through nearly three hours of an engrossing, hopefully, challenging play but you've come and sat with us. We care about it. Thanks for coming to the Almeida. Thanks for seeing a new play.


*****

トークバックは、アルメイダのサイトから抜粋。


*****
最初に:
いつもながら、ベンの作品選びの勇気には感服。もともとこの作品をやるかどうかの段階のとき、リックソン監督と、監督の言を借りれば《作品の周辺をうろうろしていた》という。そして、トランプがアメリカ大統領になった時点で、二人で「よし、やろう!」と決断。

一流の表現者としてのノブリス・オブリージュ:
作品の内容がいかに現代社会とつながり、反映しているか?社会問題とどれだけコミットしているか?
007やパディントンなどのビッグヒットとのつり合いもあってか、常に一人の作家のインディーズ的勇気から始まるこういう作品に積極的に参加するベン・ウィショー☆

カーテン・コールの時の自信に満ちた表情が忘れられない。
そして、
この舞台が千秋楽を迎えた翌日に、ラスベガスの銃乱射事件が起きた。。。


                              ※この部分のみ10月11日に追記


***


二夜、観て参りました。
(正直、一夜目はテレグラフの評のごとく内容が寒くて、幕間のロビーで「退屈だと思ったら、表現がストレートすぎるからね」という声が聞こえ、二幕目で帰る人(しかも私の両隣!)までいて、「どうしよーぉ…?」だったのだが、二夜目はまた印象が違った。もっと観れば何か掴めるかも・・・?と思った)

う~ん、批評が難しい。
トークバックの内容を読んだらなお難しい。

完成形を提示していない。
ベンは事前に脚本家クリス・シンから、(他の役者には告げられていない)主人公のヴィジョンというものを独自に伝えられていた。

主人公のヴィジョンがあいまいだから、芯がない感じがして、掴めなかったが、
それをも、観客に託されていたのだ・・・


ベンも含め、脚本家、演出家は、もしかしたらこれを
”Show” ではなくて(問題提起の)”場” もしくは ”現場” にしたかったのかも…


***

ベンは相変わらず、エネルギー全開で、登場とともに場の空気を変えたが、ベンが叫べば叫ぶほど、苦悩すればするほど、その(相手や観客への)気持ちの届かなさが逆にこちらに跳ね返ってきて、苦しかった。(そして、私は密かに吉野弘の詩の中の、「正しいことを言うときは少し控えめにする方がいい」を思い出していた・・・)


それ(苦しくさせること)さえも、先読みした演技・演出なのだとしたら、観客は相当な理解力と忍耐力を要する。

だから、脚本の意図を考えずに、表面だけを追っていると退屈と感じてしまう・・・

ベンが言うように、「心地よいエンターテインメントではないから」というより、退屈という要素の方が大きかった・・・

「ドキュメンタリーじゃないんだから、脚本として何か(ドラマチックな)《芸》を見せてよ」という気持ち・・・最初は。

私も浅いんだろう・・・多分・・・


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《芸》という意味では、役者が揃っていて、それだけでも楽しめた☆
ケヴィン・ハーヴェイ、アマンダ・ヘイル、ナンシー・クレイン。
この三人には、助演賞をあげたい。

ナオミ・ワーズナ—(スティーブン・ディレインの連れ合いさん)も暖かい声で、安定した演技。他もほとんど粒がそろっていた。

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Bakkhai の時にも感じたけれど、ケヴィン・ハーヴェイがいい!笑いもたくさん取っていた。声が丸くておおらかで通るので舞台に向いている。演じ分けも巧み。

アマンダ・ヘイルも、ケイト役で本領発揮。もちろん、インテリIT女子シーラ役もぴったり。ルークを唯一、真に理解(しようとする)者。(ルークにとって、シーラの存在がなければ、救いがなくてとても観ていられなかった。)


***
脚本のクリス・シンが癌闘病中であることから、当然ベンにはそういうバイアスがかかっていることもくみ取れる。(判官びいきなベンだから・・・)


気に入ったセリフなども書きたかったけれど、
今日はここまで・・・

千秋楽終わりましたね。
Thanks to ベン and other cast and the crew !
お疲れさまでした☆

最後のカーテンコール?

(ベン、最後に何か話したのかな・・・)



うらら


***


ネタバレ & 私の贅沢 ↓ (More をクリックしてください)


More
[PR]
# by uraracat | 2017-09-28 21:10 | 舞台 | Trackback | Comments(1)

舞台 AGAINST ステージドア写真集

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(X)
9月10日



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X
9月10日





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-Daddy said "I'm not cute"
-Daddy doesn't need to know

(X)X 9月7日
この写真のタグに#CUTEと付いているので↑の会話
しかし、Daddy?ついに・・・?



























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(X)





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(X)













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(X)
9月1日

















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(X)
8月28日






















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m.weibo.cn Aug.26

























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wreckthelist さんより
オーバーオール姿が見られました。Thanks!
8月28日























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X

パワーストーンの腕輪キツそう・・・!
(スモーキークォーツなのか)




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X
この間のラジオ録りの時も着てた、胸当てつきつりズボンはいてる。
全身の姿が見てみたい。。。

2017年8月26日



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(同じくandiniria さんより)

目が澄んだグリーン









[PR]
# by uraracat | 2017-09-20 06:40 | 舞台 | Trackback | Comments(0)

舞台 "AGAINST" Production & Opening party photos, etc.



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YyzgirlInLondon @UKFlaneuse

























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                             Photo: Johan Persson
X











***
Twitter より

James Bierman@Bierman71  2017年8月15日
(X)






























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プレスナイトのアフターパーティで



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(X)




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©Dan Wooller

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オープニングにはマーク・ライランスも来ていた☆
whatsonstage.com








[PR]
# by uraracat | 2017-09-20 06:00 | 舞台 | Trackback | Comments(0)

所属していた青年劇団に ”ベン・ウィショー賞” という賞

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Samuel Whitbread Ac @SamWhitAcademy 9月13日

[PR]
# by uraracat | 2017-09-16 20:49 | 舞台 | Trackback | Comments(1)

舞台 ”AGAINST” @ アルメイダ劇場

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Ian Rickson: In Conversation (YouTube)
ベン部分 10:15あたり

“I love Ben Whishaw. He’s very open, permissive, hard-working, warm… and he has that kind of thrumming majesty in the moment. Both of us were sort of circling around the play, and the day President Trump was elected I said, ‘Look, I’m going to do this play, because it feels important,’ and he said, ‘Yeah, I’m with you,’ so that kind of in-sighted the thing for us two to happen.


He inspires companies, and something I love about him in this play in particularly, he’s not just light, and luminous and open, he’s really kind of virile and conflicted. I think he can do anything. It’s such a privilege to have him in this play.”


Ian Rickson, director of ‘Against’.

X


















🎧 BBC Radio4 FRONT ROW
演出のイアン・リックソンとベンが出演 ♪
先日の録りの放送ね。





















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(X)






















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First pics of Ben Whishaw in rehearsal for Against
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ベン殿、最近 なんだか裸足・・・!

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Silicon Valley. The future. A rocket launches. A look inside the rehearsal room for Against,
Christopher Shinn’s gripping new play.
12 August – 30 September | almeida.co.uk/against
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Almeida Theatre‏ @AlmeidaTheatre(X)  2017年7月24日
25 and under? Book a £5 ticket from today for #Against, @chris_shinn's new play, with a cast including #BenWhishaw. http://almeida.co.uk/against
























今日(7月4日)、”AGAINST" の稽古初日だったようです☆


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                     ※クリックすると、毛穴が見えるくらいに拡大できます









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12 Aug 2017 - 30 Sep 2017

World Premiere

AGAINST

By Christopher Shinn

Directed By Ian Rickson

production information

Silicon Valley. The future. A rocket launches.

Luke is an aerospace billionaire who can talk to anyone.
But God is talking to him. He sets out to change the world.
Only violence stands in his way.

Christopher Shinn’s gripping new play, directed by Ian Rickson,
features Ben Whishaw as Luke.


チケット販売 5月
Talkback Thurs 21 Sep


theguardian.com


”August will also see the debut of Pulitzer-nominated playwright
Christopher Shinn’s new work, AGAINST.
Ben Whishaw will play Luke, a tech millionaire convinced he is the
next messiah, whose calling is to confront violence in America.

Shinn’s starting point for the play was asking what would happen if a
Jesus-like figure arrived in contemporary America, and how he would
preach his message. “Luke is this YouTube Jesus figure,” said Goold. “The play is very soulful, and again, in the current American climate,
will be quite timely. We associate faith in America with the Republicans and the right, but this looks at faith as a more egalitarian, almost
socialist, principle.”




*******

イアン・リックソン監督は、MOJO の時の演出家ですね。
調べたら2009年に、ブロードウェイで、イプセンの”ヘッダ・ガブラー”を
クリストファー・シンの脚本でやっています。








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photo from Baz Bamigboye twitter


















[PR]
# by uraracat | 2017-09-11 11:14 | 舞台 | Trackback | Comments(8)

The Times ☆ Interview

From Paddington Bear to Mary Poppins — but don’t call Ben Whishaw cute

The actor is returning to theatre as a Silicon Valley mogul, then Brutus in Julius Caesar. He talks about his battle with performance anxiety and having a nasty side

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Ben Whishaw: “I’m not very nice sometimes”
JODY ROGAC/EYEVINE


We are in a pokey costumier’s workshop somewhere in the bowels of the Almeida theatre in Islington in north London. It’s not much more than a broom cupboard really, and Ben Whishaw sits on a stool amid the clothes and faceless Styrofoam wig-stands sipping a cup of tea. He seems happy.


All actors — particularly once they become successful — like to go on about how much they just love doing theatre. With Whishaw this is genuinely, honestly true. Ever since he arrived, fully formed, as Trevor Nunn’s Hamlet aged only 23, he has continued to return to the stage even as his screen career has blossomed. It’s almost impossible for him to do TV without being at least nominated for some award — Criminal Justice, The Hour, London Spy — and his film roles are as varied as they are acclaimed: John Keats in Bright Star, Keith Richards in Stoned and supporting turns in Suffragette and The Danish Girl. There are also his regular gigs as Q to Daniel Craig’s James Bond and, of course, the voice of Paddington Bear. Yet for all that here he is, backstage and back in rehearsals, drifting contentedly through the organised chaos of theatre company life.


“I love that about doing plays,”
he says softly. “I love being part of a group of people, part of a troupe. It suits me. There’s no etiquette. It’s a profession that is really accepting of everyone’s oddities.” He smiles. “All sorts of people are actors.”


What sort of person is Whishaw? This has not always been an easy question to answer. Over the years a composite image has emerged of a fierce talent who is nevertheless guarded, opaque and fragile. His appearance (skinny, elfin) and manner (gentle, modest) add to this perception. Only, he explains, we’ve got the wrong idea. “Sometimes I get really annoyed because people think I’m going to be cute. And nice. And I’m not very nice sometimes. And I’m not very cute really,” he says, frowning in a way that, to be honest, is quite cute. “There’s this notion that I might be sensitive and shy. Which is partly true. But I can be grumpy and angry and irritable.”


He chuckles and drinks his tea. Still, it’s only fair to point out that these preconceptions about Whishaw are not totally unfounded. Now 36 years old, he says that during his twenties he struggled badly with performance anxiety. “I suffered a lot of awful, terrible nerves and stomach pains,” he says. “Really debilitating things. You realise that other people are dependent on you doing well. Money. All sorts of things become part of the equation. I remember not sleeping because I was so stressed.”


For a very long time he was by his own admission anxious about submitting himself to scrutiny. We knew he grew up in Hertfordshire, went to Rada and has a non-identical twin brother who doesn’t act? Beyond that? Not loads. Talking about himself is still not his favourite thing in the world. “I find interviews quite nerve- racking,” he says apologetically, but explains that he’s trying harder to not get stressed about them or to second- guess what people might make of him. He stops and regards me with what looks a lot like sympathy. “I understand,” he says. “It’s the pressure of your job to capture an essence of somebody, which I suppose is very difficult.”


He thinks he used to use his reputation for shyness as a defence mechanism. “Maybe you can end up playing a role or something?” he says. “Behaving in a certain way because you think people are going to expect that of you. And it becomes a place that’s quite comfortable because you’ve been there before. So you just trot it out again.”


One big change — perhaps the big change — came in the wake of Whishaw coming out as gay in 2011. “I definitely feel like I’m more relaxed as a person,” he says. “I don’t know if that makes you a better actor or more available or anything, but it’s certainly lovely not to have to be worrying about keeping something private. That’s a really, really good feeling. It makes me realise that I spent a long time — too long, really — in a private agony about something. About it.”


So that’s good. He’s also “become really obsessed with this amazing Buddhist nun who teaches meditation practice that is all about acceptance of whatever comes up. About being OK with things being uncomfortable.” This has also helped him to become more sanguine. “You see yourself. Your own mad thoughts, your repetitive thoughts and your own blind spots. It’s very easy to think that everyone else is nuts and you’re sane, but you’re really not,” he says cheerfully.


Madness, as it happens, permeates the play he is about to appear in. Against, by Christopher Shinn, is about a Silicon Valley tech magnate called Luke who believes he is in communication with God, who has given him the task of ending all violence on Earth. It’s a powerful work — occasionally frightening and certainly not the satire it could be — with this well-meaning but eerily detached protagonist at its centre.


“He is vaguely modelled on someone like Elon Musk or Mark Zuckerberg or Jeff Bezos, and he’s involved in AI and rockets and thinking about the future. But before the play begins he has had this revelation and God has spoken to him and issued an instruction to him to ‘go where there is violence’. So we meet someone at the beginning of the play who is a changed man.”


Whishaw says that, to prepare for the role of Luke, he spent a lot of time on YouTube. “I did begin by watching a lot of TED Talks, people being interviewed, Elon Musk showing people around his factory. And actually, in that sense, it feels very much a play of the moment because there are so many of these people talking about mankind with a messianic, visionary zeal. But the biggest challenge is trying to understand what it feels like to really, truly believe you have been spoken to by God. That’s the thing. That’s the centre of it.”


Whishaw admits what most actors don’t: that he’s competitive when it comes to his career and getting the roles he wants. “I’m definitely competitive, yeah. And I definitely want things for myself. Yeah. Definitely. And I think that’s good.” Has he ever gone up for parts and missed out on them, and felt angry about it? Pissed off? “There are one or two things,” he says a little airily, smiling to himself. “One or two things where I’ve thought . . . I could have done that. I should have done that.”


For a long time he was down to play Freddie Mercury in a forthcoming biopic. The Queen guitarist, Brian May, had said that he hoped Whishaw would get the role, because “he’s fabulous, a real actor”, but that’s fallen through, Whishaw says. He was up for it, but he says there’s no hard feelings. “I don’t really understand what happened myself, but just one day I wasn’t doing it. And somebody else was. And it’s fine. It was just one of those funny things that happen sometimes in the way that films get made.”


Whishaw will be back in the theatre in the new year when he plays Brutus in Julius Caesar, one of the eagerly awaited productions in the first season of Nicholas Hytner’s new London start-up venue, the Bridge Theatre. He has also just finished filming Mary Poppins Returns, a sequel to the classic 1964 musical in which he plays a grown-up Michael Banks. The film is released at the end of next year. “I sing in it,” he says, but then backpedals slightly. “Well, it’s more like talking-singing. It’s Emily Blunt playing Mary Poppins and my sister, Jane, is played by Emily Mortimer. It was wonderful fun.” In fact, he says that doing these big Hollywood numbers are invariably a laugh. “I don’t think a job is more noble or valuable for not being fun. Although I think I used to.”


Playing Michael Banks was a particular pleasure given that Mary Poppins was the first film he saw. “My dad taped it off the telly. I watched it in the way that my niece and nephew watch Frozen. Over and over and over again.”


In 2012 Whishaw entered into a civil partnership with the Australian composer Mark Bradshaw. They met during the filming of Bright Star and live together in east London. “We’re quite weird. Music relaxes me, but it doesn’t relax Mark because it’s Mark’s thing,” he says, meaning that the last thing Bradshaw wants at the end of a long day of listening to music is to listen to more music. “So we always have a tussle about when I can play my music. He’ll hate me for saying that.”

Bradshaw produced the score for the latest season of Top of the Lake, the crime drama featuring Elisabeth Moss. Whishaw says that he recently gorged on it. “I just watched the whole thing in one day and what Elisabeth Moss did in it was really inspiring to me. I thought: ‘F***! That’s reminded me why this job is such a great thing to do.’ ” Was the music any good? He nods with faux-solemnity. “The music was good as well.”


Someone knocks on the door to say it’s time to go back to rehearsals. Whishaw seems slightly relieved, but he’s trying his best. “In the past I might have been very defensive about a whole load of things. And I’m telling myself not to be that,” he says. He’s still shy and sensitive and all the rest of it, but nothing like he used to be.“I’m probably a little bit more confident in myself. A bit more relaxed in myself. More relaxed in my own body.” He is, despite his protestations, every bit as cute and as nice as we imagine. He’s also a brilliant actor. All said, there are worse things to be.














*****
あ~、久しぶりに殿のお言葉☆
哲学者ぶりが増しておわせられまするる。。。





[PR]
# by uraracat | 2017-09-09 09:42 | その他のインタビューなど | Trackback | Comments(1)

Queers  ☆ BBC Four's 20 minute monologues











































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                             (gosherlockedさんより)
























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”Mesmerising, as always. His eyes say everything.”
                                 (wonderfulwhishawさんより)



"The Man on the Platform" - excerpts


All I want to do is wave. But, of course, what can I say?

Um… “So long, Captain Leslie?” - “So long, Perce.” But then he does see me.
He glances over, but he’s still talking to his pal and just then the train lurches forward.
The brakes go on and the blue lights go out and just like that, pitch-black.

And all the other fellas in the carriage start groaning and someone says,
“Oh, here we fucking go,”
but all I can feel is my heart beating and the air.
And the darkness pressing against the window
and my hand gripping the window ledge.

And then someone takes my hand.
Someone outside on the platform. And it’s Terence.
And he takes my hand and he just… lifts it to his lips and he kisses it.

There’s no train then, there’s no troops, there’s no war.
There’s just his bramble lips pressed against the tips of my fingers…
and all the hair on my neck goes up on end.

And then the train lurches forward and he’s let go of my hand and all the blue lights go on,
and… Outside there’s nothing but steam. Steam and darkness.

(X)
















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BBCがクリップを出しました ♪
44秒だけ見られます(聴けます)
http://www.bbc.co.uk/programmes/p0599tvz

"The Man on the Platform"

本放送、いよいよ7月31日!







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(X)



















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http://www.bbc.co.uk/programmes/p0588wn1
















***


Old Vic のパフォーマンスの日程が発表になりました
28 & 31 July, 2017
8つの作品は4作ずつ2日に渡って上演。内容はBBC4と同じようですが、キャストが発表になりました。
oldvictheatre.com
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Queers

ONE VOICE: MONOLOGUES FUNDED BY THE TS ELIOT ESTATE

Queers
marks and celebrates some of the most poignant, funny, tragic and riotous moments of British gay male history over the last century. 50 years since the Sexual Offences Act of 1967 decriminalised private homosexual acts between men aged over 21, this series of eight monologues will be staged across two evenings at The Old Vic.


Queers is curated by Mark Gatiss and produced in partnership with the BBC, with short film versions of the monologues to be screened on BBC Four later this summer. The writers are Matthew Baldwin, Jon Bradfield, Jackie Clune, Michael Dennis, Brian Fillis, Mark Gatiss, Gareth McLean and Keith Jarrett. The monologues will be directed by Mark Gatiss and Old Vic Associate Directors Joe Murphy and Max Webster.

Casting to be announced. For any updates, sign up to our mailing list here.


Queers is part of One Voice, a series of monologues specially commissioned by The Old Vic and funded by the TS Eliot Estate, with one-off performances from renowned actors. One Voice celebrates the most raw of theatre forms – a single voice on a stage without scenery, without costume and with nothing to rely on
but words.








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Twitter : 2017年6月29日
richard ansett @richardansett
@NPGLondon projecting #exclusive peak of my #actor#portraits#QUEERS @ Thurs/ Fri night 1800 - 2100

















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2017年6月24日
suziecine Finished grading Queers. Fab project to be involved with. Lovely grade by Ross Baker at Halo. Shot on lovely K35S supplied by @onestopfilms #BBC #markgatiss #benwishaw #halopost @halo_post_production X)

*Why does Ben look like he’s over 40 all of a sudden? 
という faggghaggg さんのコメントが可笑しい・・・























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A stellar cast is to appear in BBC Four’s Queers. Ben Whishaw, Alan Cumming, Rebecca Front, Russell Tovey, Gemma Whelan, Ian Gelder, Kadiff Kirwan and Fionn Whitehead will star in eight 15 minute monologues.


In The Man On The Platform, Ben Whishaw returns from the trenches of the First World War, whilst a hundred years later, Alan Cumming reflects on gay marriage in Something Borrowed.



Queers is being produced in partnership with The Old Vic Theatre who will stage all eight of the monologues in July, in the run up to the television transmission. Tickets for the live staging are on sale now, with casting to be announced.


bbc.co.uk













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alancummingsnaps: Today I shoot my monologue by @thegarethmaclean, directed by @markgatiss for BBC4’s Queers. Here we are with the lovely #BenWhishaw who shot his yesterday. instagram





Radio Times: Queers will air on BBC4 this July to mark the 50th anniversary of laws exempting gay men from prosecution.


[PR]
# by uraracat | 2017-08-23 20:19 | 文学・詩 | Trackback | Comments(2)

女優はジーナ・ローランズ ♪ 歌手は Sandy Denny が好き ベン・ウィショー

d0160581_1847448.png ISSUE 4 PREVIEW: BEN WHISHAW
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What characters do you find the most fulfilling?

I think every role is interesting because you’re basically trying to understand another person, you’re trying to get inside them and see the world through their eyes - it’s fascinating. I love beautiful writing. It’s wonderful when you receive a script that’s beautifully written, and you think, “Oh my goodness! I could never have thought of that!” You’re fascinated by someone’s perspective - you would never have thought of that or would never have said that. It’s great to be challenged in that way. I’d like to do many different things. It’s sometimes hard to persuade people to look at you in another way because actors can do anything really, but the world likes to categorise you and put you into a box.


What is your big ambition?

I suppose my biggest ambition for myself is to work in the way that I dream of, to work in a company of actors long-term. Either in theatre or film or some collective where we know each other and we’re driven purely by artistic desires, rather than commercial ones. I’d love to be more proactive in bringing people together and doing things with people I respect. I’ve been going to see the Pina Bausch Tanztheater Wuppertal at Sadler’s Wells. They’re here for a whole season of performances, and it’s been so amazing to see a company that has worked together for years and years – some of them for 30, 40 years. The quality of the work is so different. You can’t describe it – it’s special.



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Do you think everything is too driven by money and commerciality?

I think it is a bit. I feel that sometimes in this country, compared with other European countries, the way we treat the arts is very... Maybe it’s a hangover from Thatcher, or maybe it’s because we’re enthralled to America, I don’t know, but I feel that in Germany, whenever I’ve been there, they have a respect for art. They don’t have to smirk about it or sneer. They say it really simply and with love. They appreciate great art, whereas we have to play it down - “you mustn’t get above yourself”. And I think that’s a shame. I think we are a little bit confused about those things. I mean some things can be great art and great entertainment and be commercially successful. They’re not mutually exclusive things, and sometimes that happens. But when [commercial success] happens at the exclusion of all things...it’s a shame.


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Who is your IDOL?

It’s quite a long list... So many things influence me. One of my favourite actors of all time is Gena Rowlands. She was married to a director called John Cassavetes who was sort of the first independent film-maker. If you haven’t seen any of her films with Cassavetes, you must! She’s completely tremendous, and she’s not really recognised - she’s a bit undiscovered. Music really inspires me too. I’m completely obsessed with a singer-song- writer called Sandy Denny. She died in the late 70s. I’ve been listening to her a lot recently. She had the most incredible voice.




 
Sandy Denny - Green Grow The Laurels

Fairport Convention ~ Autopsy
markku51 さんが 2011/01/18 にアップロード
One of the most beautiful songs ever made. From the album Unhalfbricking (1969). (Music of UMG)

You must philosophise
But why must you bore me to tears?
You're red around the eyes
You tell me things no one else hears
You spend all your time crying
Crying the hours in tears
Crying the hours into years

Come lend your time to me
And you will know that you are free
And when you look at me
Don't think you're owning what you see
For remember that you're free
And that's what you want to be
So just lend your time to me

You must philosophise
But why must you bore me to tears?
You're red around the eyes
You tell me things no one else hears
You spend all your time crying
Crying the hours in tears
Crying the hours in to ears

(Sandy Denny)










※This article originally posted on 2012 12 05




[PR]
# by uraracat | 2017-08-18 05:00 | その他のインタビューなど | Trackback | Comments(1)

One Night in Atlanta ☆ オックスフォード国際映画祭で上映


1:29 くらいからベンのことを話しています。
「Fantastic to work with Ben Whishaw. Great honor. He's a great actor. 
このプロジェクトをやってくれることになってとても光栄です。彼にやって欲しかった理由は、彼が魂をオープンにすることをいとわない役者だと判っていたからです。そして彼自身、それがリスクを負うことになることも知っていたからです。役者二人ともリスクは大きかった。自分をさらけ出すわけですから」

















One night in Atlanta exhibition
at Roslyn Oxley9 Gallery, Sydney in 2018.


julietdarling.com
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Oxford International Film Festival


4:50pm on Sunday the 7th of May
at the Phoenix Picturehouse



oxiff.com : official-selection-2017

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One Night in Atlanta


Directed by Juliet Darling
Starring – Ben Whishaw (The Hour, Skyfall, Spectre) and
Kenneth Tigar.

5 mins EXPERIMENTAL FILM

Keeping together the expected and the unexpected. UK actors
Ben Whishaw and Kenneth Tigar feature in a 5 minute experimental film by Juliet Darling.







[PR]
# by uraracat | 2017-08-03 00:58 | 文学・詩 | Trackback | Comments(2)

撮影終了 ☆ 『パディントン2』

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すみません、どなたかがやっていた比較・・・
その記事を見失ったので、自分で並べてみました☆



















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公開予定
UK 10 November 2017
Japan January 2018





















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X)

















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前作より

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ポール・キング監督
6:34 くらいからベンを声に起用した効果を話しています ♪




かなり製作が進んでからの(声の)主役交代だったので、ストレスだったのではないでしょうか?

そうですね。
動画が出来てくるに連れ、違う声に代える必要が出て来ました。
でも今は、結果的に代えて間違いなかったと言えます。

本編の演技の中でも、僕はベンの声の演技がとてもよかったです。とっても誠実で、とっても無垢でした。彼がやることになってからも、製作過程はとてもスリリングだったのでは?

ええ、スリリングでした。そしてかなりの道のりでした。ベンは単に声だけでなく、画面作りに必要なたくさんの要素を提供してくれました。もし、彼の声が熊の唇と合わない場合、我々は、彼の演技から全てを1から作り上げなければなりませんでした。

これが一番の大仕事でした。願わくば、熊のスピリットがベンの演技から生まれてくれれば、と思っていました。

”Result was splendid” 結果は言う事なし!でした。

今や ベンの声がなければ、パディントンという映画は考えられません。


















前作のポスターより
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[PR]
# by uraracat | 2017-07-19 15:05 | パディントン | Trackback | Comments(2)

ベン、今 こんな髪型 ☆

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rscarry1 on instagram
Very cool to meet benwishaw today in sevendials coventgarden
2017年7月16日























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X)
2017年7月10日

もう、髭も伸びてこんな感じ・・・
























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With ヘイリー・アトウェル
同じような花柄T-shirts ?ギリシャにいるの?
エピダウロス演劇フェスかな・・・?

6月22日
wellhayley




















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2017年6月9日
X)

どんどんホイップ化・・・笑


















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2017年6月3日
                 X)

11日前と違って、服装はもう夏ね・・・☆





















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  2017年5月31日
  X)

















  *** 髭を剃ったベン殿 ***
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2017年5月20日
encountered ben in a bookstore after the exam  
no mustache
guess he finished filming mary poppins returns..?!  (x)(x)






[PR]
# by uraracat | 2017-07-16 21:40 | Public Service | Trackback | Comments(4)

ベン、クリス君とほんと仲いいのね・・・・・☆

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Christopher Logan
@MrKubelik
2017年3月28日

一緒の写真、もう10枚以上は見ているなあ・・・・
RADA で同期だったのね。
David Dawson くんは、後輩。






[PR]
# by uraracat | 2017-07-02 06:53 | 写真/雑誌撮影 | Trackback | Comments(0)

Ben Whishaw: Filmo Sélective ☆ 作品総まとめ

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※あはは、Bright Star のジョン・キーツの顔、反転してるのある・・・







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※あはは、『クラウド・アトラス』のところに一枚、ジム・スタージェスのがある





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※あはは、『リリ―のすべて』に一枚 The Muse のが入ってる・・・!







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※The Hour のフレディ、顔が反転しているのがある・・・



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※あはは、Hamlet のところに一枚 Some Trace of Her のが入ってる
※The Pride のオリヴァ―も顏が反転しているのがある・・・













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ygrain-synaerasis


Anyway, Thank you for the good job!









[PR]
# by uraracat | 2017-06-23 22:07 | 作品歴/ラインナップ | Trackback | Comments(1)

First Look ☆ メリー・ポピンズ・リターンズ


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Entertainment Weekly




















撮影風景
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dailymail






























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Dailymail





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マイケル・バンクス(ベン)さんの3人の子ども?
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metro.co.uk





Walt Disney Studios@DisneyStudios 3月3日

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*******


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「Mary Poppins Returns is set in 1930s depression-era London (the time period of the original novels) and is drawn from the wealth of material in PL Travers’ additional seven books. In the story, Michael (Whishaw) and Jane (Mortimer) are now grown up, with Michael, his three children and their housekeeper, Ellen (Walters), living on Cherry Tree Lane. After Michael suffers a personal loss, the enigmatic nanny Mary Poppins (Blunt) re-enters the lives of the Banks family, and, along with the optimistic street lamplighter Jack (Miranda), uses her unique magical skills to help the family rediscover the joy and wonder missing in their lives. Mary Poppins also introduces the children to a new assortment of colorful and whimsical characters, including her eccentric cousin, Topsy (Streep).


Dick Van Dyke plays Mr. Dawes Jr., the chairman of Fidelity Fiduciary Bank, which is now run by William Weatherall Wilkins (Firth).


New music for the movie will be written by Hairspray‘s Marc Shaiman and Scott Wittman.」



Read more: http://www.justjared.com/2017/02/10/mary-poppins-returns-begins-production-official-plot-revealed/#ixzz4YKjU4ZTJ

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公開は 2018年クリスマス の予定

また、ジュリー・ウォルタースがナニー?(パディントンと被るなあ・・・)
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音楽は、『へアスプレー』をやった方が担当だというので、期待できそう。



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※本の表紙はオリジナルの頃のものですので、今回の映画化には関連していません。
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[PR]
# by uraracat | 2017-06-09 13:20 | メリー・ポピンズ・リターンズ | Trackback | Comments(3)

PADDINGTON 2 Trailer



In UK cinemas November 10th

Japan January 2018 (IMDb






[PR]
# by uraracat | 2017-06-09 13:08 | パディントン | Trackback | Comments(1)

今までこんなにみっちり取材して、しっかり編集したベンの特集があっただろうか・・・?



韓国語が解らないのがかなしい・・・

[PR]
# by uraracat | 2017-06-03 01:46 | Trackback | Comments(0)

こんな記事が今ごろ・・・ ☆

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大きく拡大できます・・・

PressReader.com

*元記事は Independent 23 October 2015






[PR]
# by uraracat | 2017-06-02 16:56 | 写真/雑誌撮影 | Trackback | Comments(0)

犬にまでモテる男・・・☆

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Lin-Manuel Miranda

@Lin_Manuel 5月16日

That's the lovely Ben Whishaw aka Tobi's boyfriend





[PR]
# by uraracat | 2017-05-19 22:24 | Trackback | Comments(0)

そんなに《人気俳優》だったのか・・・






*思ったよりもセリフがあった。。。

[PR]
# by uraracat | 2017-05-10 07:11 | Hologram for King | Trackback | Comments(0)

<先行上映> 嘆きの王冠 ~ホロウ・クラウン~ リチャード二世 ☆5月13日より




ヒューマントラストシネマ渋谷/チケット情報




[PR]
# by uraracat | 2017-05-10 07:03 | テレビドラマ | Trackback | Comments(0)

Photographed by Perry Curties (TBT to circa 2007)

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Perry Curties Photography(@perry curties)
Rediscovered! A long lost portrait of Ben Whishaw found on a CD-rom backup. Circa 2007, long before he became Q.


Pictaram.com


                                  *クリックすると拡大されます☆



[PR]
# by uraracat | 2017-05-07 21:40 | 写真/雑誌撮影 | Trackback | Comments(1)

Ben Whishaw, a miraculous child ☆ ニコラス・ハイトナー

Meanwhile, every time there was a break, the young actor playing Brother Jasper came quietly to the front of the stage to run through his long, sinister address to the Magisterium. He was straight out of RADA, and there was nothing I hadn’t thrown at him: he was a stolen child, a gyptian, an armoured bear, a Daemon goose, a witch in a long black wig and silk skirt.
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Brother Jasper was his big moment, and I’d hardly had time to notice how good he was. ‘This kid is mesmerising,’ I whispered to Aletta, who already knew. Not long afterwards he told me that he’d been asked by Trevor Nunn to play Hamlet at the Old Vic. Trevor’s not lost his touch, I thought, and Ben Whishaw won’t be playing any more bears.


More from Nichloas Hytner’s book. Ben Whishaw, a miraculous child.
Source





こうなると、あとはどうしても "a witch" が観てみたい!
ナショナルのアーカイブを当たるか・・・!








[PR]
# by uraracat | 2017-04-30 06:17 | 舞台 | Trackback | Comments(1)

Kiss ☆ その2


[PR]
# by uraracat | 2017-04-28 18:09 | リリーのすべて | Trackback | Comments(0)

Kiss ☆ その1


[PR]
# by uraracat | 2017-04-27 20:01 | リリーのすべて | Trackback | Comments(0)